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Voters take to the polls in Georgia's Senate runoff election. U.S. Capitol Police receive highest civilian honor. China holds memorial for late leader Jiang Zemin.

Kate Winkler Dawson's new book chronicles The Great Smog of 1952, when moist air from the Gulf Stream stalled for days over London, mixing with poisonous gases and causing more than 12,000 deaths.

From the soaring voice of a young soprano on the rise to the turbulent sounds of the Berlin Philharmonic in full cry, NPR Music's Tom Huizenga and Weekend All Things Considered host Guy Raz spin new classical recordings from young musicians and composers.

Former Trump White House aide Cassidy Hutchinson has made bombshell revelations about former President Donald Trump's role in the Jan. 6 riot at the U.S. Capitol.

According to new data from the Energy Information Administration (EIA), gasoline demand fell from 8.48 million b/d last week to 8.32. Meanwhile, total domestic gasoline stocks rose from 237.7 million barrels to 243.6, while gasoline production popped last week, averaging 9.3 million barrels daily.

Sunday Baroque is a weekly radio showcase of music written in the baroque era (1600-1750) and the years leading up to it.

Scarlett Johansson is suing Disney for releasing Black Widow on streaming and in theaters at the same time, saying the simultaneous release breached her contract.

How's the Louisiana senator responding to GOP efforts to tie her to the Affordable Care Act's problems? Partly with an ad that gives her outsize credit for President Obama's decision to change course and let people keep health plans next year that would otherwise be canceled under the new law.

As the COVID pandemic faded in 2022, U.S. life expectancy rose by more than a year. But the virus and drug overdoses spurred by fentanyl still took nearly 300,000 lives.

4 Months, 3 Weeks, and 2 Days, a new film about a young woman's illegal abortion in Ceausescu's Romania, won the top prize at Cannes and has just opened in the U.S. It's a fierce and unsentimental film; Terry Gross talks to Mungiu about growing up in a totalitarian state, and why he wanted to make the movie.